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| She had a bag for every day and a bag for every night. |
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| Lgor, made in France, Saks 5th Avenue. The feeling of having such bags. It must have been something. |
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| Chanel (faux, we're pretty sure*), Lederer, Morabito, and Carlos Valenti bags. |
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| She had a bag for every day and a bag for every night. |
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| Lgor, made in France, Saks 5th Avenue. The feeling of having such bags. It must have been something. |
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| Chanel (faux, we're pretty sure*), Lederer, Morabito, and Carlos Valenti bags. |
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| Shaped like a miniature doctor's bag. |
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| Superbly constructed, it's trimmed with goldtone brass hardware. |
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| Everything about the bag is substantial. The leather is in terrific condition, with some most of the wear concentrated to the handle and edges of the frame. |
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| Another angle: note the wear at the handle. |
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| The body of the bag is supple and shiny. |
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| The interior, in black calf, has two side by side pockets under the gold stamp, and a snap close pocket that fits a pair of eyeglasses on the other side. |
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| There are two pieces of hardware, a knob and a flat washer, that are loose, but were found inside the bag. |
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| Side view. |
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| The back side of the bag. |
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| The base of the bag features two flat brass plates, one at each end. |
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| The brass plates are screwed in and lay flat. |
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| Close up of the stamp, which reads, "Made in France Especially for Lederer." |
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| Close up of the two metal fitting pieces that come with the bag. |
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| Leather covered in rhinestones, with a weighty goldtone snakechain handle made of chunky, geometric links. |
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| The handle is attached with toggles — slip them back through the loops and tuck the handle inside, and you've got a clutch. |
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| In superb condition. |
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| They're all from a big old place in the Catskills that's been around since the 40s. |
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| These ones have great rustic patterns, slightly Native American, kind of Art Deco. |
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| They're all lined with soft rayon binding on two sides. |
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| And they're all enormous, nearly 12 feet long x 70 - 72 inches wide. |
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| This one's got acorns with a cross pattern. Notice how the border near the acorns picks up the dots in the crosses. The patterns are the same, in reverse colors, on the other side. |
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| Very Catskillsian: burgundy and cream. |
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| The pink one is super thick, and has flowers and windowpane plaid. |
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| Love how the flowers all tilt in the same direction. |
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| The nap is cozy as can be. |
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| Someone did a careful patch on this one, using a matching blanket. |
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| Thistles in plum and peach. |
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| A favorite. |
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| A few errant threads. In general, there are minor flaws: a bit of wear here and there, a few small spots. They're all freshly washed and have no smells. |
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| Very tempted to keep it. |
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| Atlas Mason, Atlas Mason's Patent, Atlas Strong Shoulder Masons |
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| 7 Atlas quart jars. |
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| 3 are Atlas Strong Shoulder masons with new zinc caps. |
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| The Atlas Mason's Patent is a grey toned glass. |
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| Atlas embossing. |
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| Another angle. |
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| 4 Ball quart mason jars, including a Perfect Mason. |
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| Fresh zinc caps on the Ball masons. |
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| A set of 7 pint jars includes 4 ball mason jars. |
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| As well as a Kerr 1/2 pin mason, and 2 atlas masons with great shapes. |
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| And a wide mouthed Atlas Special mason jar on the end. |
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| Ready for use. |
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| All 8 of the smaller jars. |