1.27.2011

bursting heart etsy treasury

{thanks to kipi for the title}


Bursting Heart - Or...
$43.00

ROSEY PASTILLE Earr...
$24.00

Metal Airplane - 19...
$

Vintage 1980s Multi...
$26.00

Vintage Red Tin Box...
$9.50

1940s "matrix&...
$219.00

Vintage Men's R...
$65.00

SALE Red Plaid Ther...
$8.00

Dragonfly Vintage G...
$7.00

Vintage Framed Hors...
$62.00

Pendleton cranberry...
$24.00

Vintage Indian Moto...
$45.00

BLACK CHERRY earrin...
$18.00

Mens Western Medall...
$35.00

INTRO OFFER - 7 Red...
$3.00
Treasury tool is sponsored by Lazzia.com.

'sailor girl {smoke and blood treasury}' by Luncheonettevintage

that night she lay dreaming as the dog watched. a road, like an ocean through the windshield. she remembered the headlights, an angel somewhere in the sky, come to water the red flower in the snow.


Miu
$16.99

Fisherman's Kno...
$10.00

Longing Ring
$30.00

40% OFF Winter SALE...
$18.00

Vintage Camera .. K...
$78.00

Sailor Girl Necklac...
$19.00

Deesse Collection -...
$72.00

Handmade Silver Cup...
$27.00

love. - Word Pendan...
$35.00

Brown Dress with Ho...
$78.00

Hydrangea, Snownere...
$30.00

He who holds the ke...
$19.00

dusty rose red fabr...
$10.00

Modern Stripes Scar...
$82.00

Dark Foggy Night wi...
$15.00

Treasury tool is sponsored by Lazzia.com.

1.10.2011

victorian wolf skull engraving, slinkymalkinicat


In the meantime

what is that, that word, meantime. mean as in between time and time? mean as in the middle of time? in the middle of the time that was passing anyway? and is it spent meanly, as in thinly, as in hungrily and not eatingly enough?

in the meantime while Rena was running away from the hollow and getting in the truck to head northwards and run into the deer, a wolf was eating its way through a chain link fence. the night she waylaid Hal McGellan, who stopped his truck, loaded up the wounded but not dead dear, and took her to the safety of a hotel run by his cousins, he was supposed to be going to find that wolf. but in the meantime, the wolf found its way into the woods. a few miles into the woods from the highway, actually. in the meantime.

This is just something that happened, in the meantime, in the book, as it is unfolding. A world unfurling like an Azuma fan, those brilliant tissue paper colors opening, opening further, further still. there is so much to cover. so many in the meantimes. the dots are a physics problem, 4 dimensions, maybe 5, to connect.

Balls in the air. 6 burners going. gangbusters. Insomnia would be my friend, were I in the mood to dance all night with all the happenstances. Mr. Meantime, meet Rena, the ultimate meantimer.

1.09.2011

Still not an occasional thing but a related thing

meaning, to the prospect of having a better kitchen. while dreaming, I conjured up this by trolling through the etsyverse. it's called dream kitchen and you can find the real items as they are listed in the flesh by clicking on that "this" link.

1.07.2011

Not a candlestand

Vintage sometimes presents enough of a hint of its original purpose to contradict assumptions; to steer you away from easy conclusions. Or, simply, I am ignorant. So it was with this, and so it was with me.

I found it while going through a box of castoffs at a thrift shop. It's part of the whole vintage discovery process; first, the shop; then, its threshold: hazy with the dust of old videocassettes evaporating into the stale air; sometimes a radio warbling from overhead; sleepy clerks; that strange gray overcast under the dim charity bulbs. Then, the mining begins. For some reason, I was in a box mood. There was a box, by the LPs that were in their own box. When 27, I would have dug into that LP box as if I were the first to discover Pet Sounds on vinyl. That was so then.

This box was marked Misc. Misc. in vintage can mean a lot of things, but it mostly means mystery. Promise. Miscstery. Promisce. In this box, at first, were just discards: cards of discount earring studs, a cloth purse with a rotten corner, a pleather purse riddled with adhesive gunk, a sneaker (a sneaker with another s on the end is a useless object), rubber-banded jumbles of old pharmeceutical logo pens, unloved paperbacks with ragged ears, a cutoff Fame style sweat shirt and some pinned-together sweat socks that smelled of foot powder. Then, for some reason, I thought of my father, who often tucks fragile things like Leica lenses into his socks. And so I — fondled — the socks. Quietly. Discreetly. There is a fine line between vintage treasure hunter and hoarder of things like singular sneakers, I fear, and sometimes I wonder how easy it is to cross it. But sure enough, tucked into one of the socks was this.



The find.

After the find, there is often the — feign. After you find what may be something amazing, you call upon the karmic treasure gods by not really focusing on it — as if somehow, by calling attention to it, you'll magically alter its price, or its something. So instead you avoid investigation. You gloss. You feign disinterest, lest someone notice you.

You deposit your object in the cart, or the basket, or the bag, as casually as you can, projecting disinterest, and you keep moving. I assumed I had just found a candlestick holder and satisfied enough, header for a fake leopardskin hat that turned out to be late 1990s awful. Hours later, got home. That's where you get to check the take. Do the take check.

I spread it all across the kitchen table (a yard sale find, 1950s chrome legs, flecked green and white formica top with a leaf pattern, heart be still). Put away the sweaters, the skirt, the dress, the coat, the cooking with cheese book. And I took a closer look at this candlestick.


Blue speck on the scenic reprint: what's that? It looked like ink. A blot of ink. Scene reprint: it turned out to be Holland Pier, Rockaway Beach. But when? Gilding, cobalt glaze. Old. Man in hat and suspenders. Men don't stand around in hats and suspenders since a long time ago. There was a Boardwalk Empire on a Sunday afternoon look to it. I googled. Found these:

Entrance to Holland Pier, Rockaway Beach, postcard from 1912

Holland Ave. Pier, Rockaway Beach, postcard sent in 1918

Holland Dock Pier, Rockaway Beach, postcard sent in 1908

The first was clearly The Scene on the candlestick thing. The second seemed a bit newer, but was really taken, originally, from slightly further along the pier. The third had a white instead of a green fence. Still, more proof. I could almost hear the gulls, smell the salt, the water, hear the quiet that must have been then.

So it was old, this candlestick thing with the ink spot on the scene. And it was a souvenir from Rockaway Beach, back when Rockaway Beach was a real resort. And it has a horseshoe, a kind of lucky horseshoe, and I knew from some old file folder in the back left of my brain that back in the 19-oughts, resorts often sold souvenirs with things like lucky horseshoes on them. And they tended to serve 19-ought type of functions. And also back in those days, there were oil lamps and gas lights. Not too many candles. Someone trips on the edge of her nightgown, the candle lands on the lace curtains, and whoosh goes the pier. So this had to be something else.

It says Germany on the back. I stared at it for a few minutes. The dogs were sleeping, so I could think. I stuck a very standard sized candle in the hole of the well-type part. Candles, amazingly, according to a friend of mine who could be called a wax historian, have not changed that much. Already the idea of it holding a candle was a dimming possibility. And the candle didn't fit. And that blotch in the bowl.

Spot of ink. Horseshoe shape. I googled around and found this.

Souvenir inkwell from early 20th century.
There's the search, the find, the feign, the take, the long think. And then the stumble, the google, the google some more, and finally, the i.d. Germany, it turned out, owned the market for blue porcelain souvenir inkwells with scenes on them. Imagine a guy in shirtsleeves held up with garters, penning his order for 100 porcelain horsehoe inkwells printed with the postcard enclosed, sincerely, Messr. Somebody whose brother posed for the picture in hat and suspenders.

Danke. And you can find the find here.

1.02.2011

This is not an occasional thing.

Years ago I used to make sure to write celebratory writings on the occasion of a celebration of an occasion. In other words, back in the days when my head was clearer, before the fuzz began to lay along the meridians and frollocks of the brain and the world didn't quite seem so muddy. On the occasion of the new year, for instance, I'd write something resolutionary. Though even then, back when I had short hair, sometimes very short, and big eyes, sometimes very big, and sported a generally slightly bored look, I wasn't bored. I was consternated: our new year is not necessarily their new year and their new year is not those other people's new year and so is it really the demarcation of anything?



That was probably a sign of early onset. Meanwhile, the helliday tide of family joy and angst (— someone make me up a word mixing those two and I'll send you some pie. Joyangste? Pronounced the french way? Gives a dressiness to it. Jangst? Sounds Freudian. Jongst? Isn't that the name of a famous skier who wrapped himself around a tree in Gstaad? — ) has come and gone, and with it my marathon baking session that nearly melted our kitchen wall to death. Which was a very great thing. The net result of 4 cheesecakes, 7 batches of peanut butter cookies, 4 batches of chocolate chip, a killer batch of twice-baked shortbread, a whole herd of jelly kiss cookies and lots of satellite batches ungapatchka'd together from leftover sturm und drang is an accelerated Kitchen Renovation Plan.



Apparently, and this is switching into confessional blaggage over here so forgive me or skip, I have been, um, yelling for a couple of years about the kitchen. I have no recollection of yelling. Maybe a goddamit the fiftieth-whazztheyeffith time my knife fell between the crack between the dingy 9th-hand tiny stove and the loose scrap of faux formica counter (color: burned marshmallow, from years of someone who apparently liked to flambé her toast), and I therefore had to fish it out using the handle of the swiffer, teasing a mound of old yam shavings and dog hair and vintage mysterianisms into the middle of the kitchen floor where, somewhere in their greasy midst, was the knife.

Maybe, sure, just a little, little curse when the linoleum backsplash absorbed the boiling over tomato-based sweet and sour chicken soup instead of deflected it. Maybe a tiny little noise when the cardboard box of teabags plummeted from the cabinet over the sink into the soaking soup pot, endowing some very fancy Japanese tea with an unwanted iridescent lavender-eucalyptus cast. Just a little squeak.


Worth mentioning, however, that the stove has tantrums. What come are strange spikes in temperature from the oven: bake at 325º can become char at 600º if you're not there to monitor, to cajole, to turn, to readjust. That may have had something to do with the melted wall. And since a marathon baking session is also like pulling triple shifts as a museum guard in the Picasso galleries when the psychotics had their field trip, I may have been a bit distracted from the whole wall thing. Which I did. And was. I was a guard at the Museum of Modern Art, and I did once chase a deranged man through the catacombs between the fake walls during the blockbuster Picasso show.


It's a good thing the wall finally melted. Melting walls speak so much louder than quietly unyelling cooks. But FYI in the spirit of the luncheonette we are not buying the veneer farm or the New New New this or the Shaker farmhouse look or the up-the-value-of-the-house thing. We are not going to spend thousands. I am hoping to keep the atomic-modern metal base cabinet underneath the 1940s sink, and the 1940s sink, and the 1950s'cabin pantry closet, though all are a little — scabby. But the horizontal beadboard trimmed with scraps, the warbled strips of wood paneling, the linoleum backmelt,  the 1970s vinyl faux stone floor tiles that shifted during the Big Melt (the ones around the stove sort of  skated around), are gone yesterday. There is retrofunctional and vintage workable and then there is junkyard dysfunctional. Stay tuned.

12.15.2010

Luncheonette x Sartorialist



1980s bittersweet boots in the warmth of the studio, luncheonettevintage





same boots photographed freezing outside on the feet of this adorable girl, thesartorialist

Dog photo of the month


1940s kodacolor, vintagewarehouseny

What do I love about this photo? Who is this man paying attention to, trying to twist to smile for the camera and hold his beloved shepherd at the same time? And does that trio behind him care? Not a whit. They're in their Sunday best. Gloves and hats. And proudly so, with a little turn of the ankle, the better to show a tiny bit of leg. They know what matters.

The photographer snapped the shutter a bit too early, they probably said later, over coffee and cake. I'd disagree. And look at the shadow on the ground, that perfect shepherd profile, the tongue. The clearest face in the whole photo.

And I am a dog person. So here it is, the resplendent intersection of dog, vintage, and story. In its kodacolor glory.
And then the girlie flash 


reno tart earrings by katinkapinka
1950s cocoa gem clutch, small earth vintage
anchor hocking jar, sarahanntiques
becasine vintage clogs with faux fur, bOmode
1950s seamprufe slip, studio1950
And then there's the punk roots, riffled deep into the ground

11.29.2010

Pushing that pesky heritage envelope once again


1950s McCoy flying duck planter
heritage windowsill megabricabrac

1980s bittersweet georgia logger boots
heritage clodhoppers

1980s honeydipper stetson fedora
heritage miami beach

1960s bearclaw and sterling silver pendant
heritage illegal

1970s yam fries sweater vest
heritage acrylic

1940s brass keepsake pocketbook photo album

heritage miss you